{"id":49493,"date":"2026-02-06T13:44:12","date_gmt":"2026-02-06T13:44:12","guid":{"rendered":"https:\/\/journalintegration.com\/?p=49493"},"modified":"2026-02-06T13:44:16","modified_gmt":"2026-02-06T13:44:16","slug":"nkul-bewu-le-tambour-des-morts-quand-les-ekang-parlent-et-que-francois-bingono-ecoute","status":"publish","type":"post","link":"https:\/\/journalintegration.com\/index.php\/2026\/02\/06\/nkul-bewu-le-tambour-des-morts-quand-les-ekang-parlent-et-que-francois-bingono-ecoute\/","title":{"rendered":"\u00ab\u202fNkul-Bewu, le tambour des morts\u202f\u00bb : Quand les Ekang parlent\u2026 et que Fran\u00e7ois Bingono \u00e9coute"},"content":{"rendered":"\n<p><em>Dans son dernier ouvrage, l\u2019ancien journaliste entra\u00eene le public dans un voyage fascinant et parfois dr\u00f4le au c\u0153ur des croyances des communaut\u00e9s de la for\u00eat.<\/em><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"340\" height=\"408\" src=\"https:\/\/journalintegration.com\/wp-content\/uploads\/2026\/02\/Capture-decran-2026-02-05-135708.jpg\" alt=\"\" class=\"wp-image-49494\" srcset=\"https:\/\/journalintegration.com\/wp-content\/uploads\/2026\/02\/Capture-decran-2026-02-05-135708.jpg 340w, https:\/\/journalintegration.com\/wp-content\/uploads\/2026\/02\/Capture-decran-2026-02-05-135708-250x300.jpg 250w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n\n\n<p>\u00ab\u202fNkul-Bewu, le tambour des morts\u202f\u00bb, un essai anthropologique qui explore l\u2019au-del\u00e0 tel qu\u2019il est per\u00e7u par cette communaut\u00e9 du sud du Cameroun. Plus qu\u2019un simple recueil de mythes ou de rituels, le livre est une analyse des imaginaires collectifs, un pont entre le tangible et le spirituel. Et attention : si vous pensiez que l\u2019anthropologie est toujours s\u00e9rieuse et poussi\u00e9reuse, pr\u00e9parez-vous \u00e0 sourire en chemin. L\u2019auteur nous montre que chez les Ekang, les morts ont un sens de l\u2019humour\u2026 m\u00eame si personne ne leur a appris \u00e0 tweeter. Chaque chapitre \u00e9voque non seulement la fonction rituelle du tambour, mais aussi le r\u00f4le des gardiens de traditions et conteurs, qui savent raconter des histoires qui feraient p\u00e2lir certains sc\u00e9naristes de com\u00e9dies modernes. Fran\u00e7ois BingonoBingono souligne subtilement que la mort, malgr\u00e9 son s\u00e9rieux, peut \u00eatre une source de cr\u00e9ativit\u00e9 narrative, et que le rire et la r\u00e9flexion ne sont pas forc\u00e9ment incompatibles avec le sacr\u00e9.<\/p>\n\n\n\n<p><strong>Sens<\/strong><br>Le terme Nkul-Bewu, litt\u00e9ralement \u00ab\u202ftambour des morts\u202f\u00bb, symbolise \u00e0 la fois l\u2019instrument de communication entre vivants et d\u00e9funts et le r\u00f4le central du rituel dans la structuration sociale et culturelle Ekang. BingonoBingono d\u00e9cortique la mani\u00e8re dont les habitants conceptualisent la mort, la m\u00e9moire des anc\u00eatres et le lien interg\u00e9n\u00e9rationnel. Il montre un syst\u00e8me o\u00f9 rituels, symboles et r\u00e9cits cosmogoniques se conjuguent pour offrir aux vivants un cadre moral, social et spirituel\u2026 et parfois une excellente excuse pour taper sur un tambour sans se faire gronder. L\u2019ouvrage d\u00e9crit \u00e9galement les c\u00e9r\u00e9monies nocturnes, les chants et les danses rituelles, o\u00f9 le battement du tambour r\u00e9sonne dans la for\u00eat comme un rappel que la communaut\u00e9 est vivante et connect\u00e9e. Selon l\u2019auteur, chaque son, chaque rythme, chaque geste est une le\u00e7on en soi, et il invite le lecteur \u00e0 \u00e9couter\u2026 et \u00e0 sourire de ces traditions qui donnent au sacr\u00e9 un \u00e9clat presque th\u00e9\u00e2tral.<\/p>\n\n\n\n<p>L\u2019auteur ne se limite pas \u00e0 la description : son essai adopte une d\u00e9marche critique et analytique, confrontant pratiques traditionnelles et th\u00e9ories anthropologiques. Chaque chapitre regorge d\u2019observations de terrain, de t\u00e9moignages et d\u2019interpr\u00e9tations symboliques. Il d\u00e9montre comment le tambour agit comme m\u00e9diateur entre vivants et au-del\u00e0, mais aussi comme un instrument id\u00e9al pour r\u00e9guler la vie sociale et calmer les esprits grincheux du village, qu\u2019ils soient humains ou\u2026 l\u00e9g\u00e8rement spectres. BingonoBingono illustre avec humour que certaines pratiques, tout en \u00e9tant profond\u00e9ment symboliques, sont aussi des occasions de rassemblement, de partage et de rire. Le Nkul-Bewu devient ainsi \u00e0 la fois un objet sacr\u00e9 et une sorte de \u201cDJ ancestral\u201d, orchestrant la coh\u00e9sion sociale et le rythme de la m\u00e9moire collective.<\/p>\n\n\n\n<p>Pour les sp\u00e9cialistes, l\u2019ouvrage constitue une contribution majeure \u00e0 la compr\u00e9hension des cultures foresti\u00e8res d\u2019Afrique centrale. Il donne voix aux Ekang, montrant que la m\u00e9moire, les rites et le tambour ne sont pas que des objets rituels, mais de v\u00e9ritables vecteurs de continuit\u00e9 sociale et culturelle. L\u2019ouvrage rappelle avec humour que si vous pensez que les r\u00e9unions de famille sont bruyantes, il est temps de rencontrer le tambour Nkul-Bewu, qui ne se limite pas \u00e0 applaudir ou hocher la t\u00eate, mais fait danser et r\u00e9fl\u00e9chir simultan\u00e9ment. Dans un monde o\u00f9 les savoirs traditionnels sont menac\u00e9s, ce livre est un rappel que m\u00eame la mort peut avoir\u2026 du style, et que l\u2019humour et la gravit\u00e9 peuvent cohabiter harmonieusement dans un m\u00eame battement.<\/p>\n\n\n\n<p><strong>Accueil<\/strong><br>Les lecteurs appr\u00e9cient le style accessible et souvent dr\u00f4le de Fran\u00e7ois BingonoBingono. L\u2019ouvrage m\u00eale analyse scientifique, r\u00e9cits oraux et anecdotes, cr\u00e9ant un \u00e9quilibre subtil entre immersion culturelle et p\u00e9dagogie. Chaque chapitre fait ressentir le poids du tambour et la pr\u00e9sence des anc\u00eatres, tout en \u00e9clairant le fonctionnement social des Ekang et leur rapport \u00e0 l\u2019invisible. Les descriptions des c\u00e9r\u00e9monies, des rythmes et des chants permettent au lecteur de sentir l\u2019atmosph\u00e8re et l\u2019intensit\u00e9 \u00e9motionnelle, tout en se demandant si le tambour ne finirait pas par devenir un instrument de batterie pour des concerts plus\u2026 contemporains. Fran\u00e7ois BingonoBingono r\u00e9ussit ainsi \u00e0 transformer une \u00e9tude anthropologique en exp\u00e9rience vivante, presque sensorielle, o\u00f9 la tradition et le plaisir de lire se m\u00ealent naturellement.<br>En d\u00e9finitive, \u00ab\u202fNkul-Bewu, le tambour des morts\u202f\u00bb n\u2019est pas seulement un essai sur l\u2019au-del\u00e0 : c\u2019est un voyage dans la m\u00e9moire et la spiritualit\u00e9 Ekang, avec des moments qui feront sourire et r\u00e9fl\u00e9chir. Il montre comment le rituel, la musique et le symbolisme fa\u00e7onnent la vie communautaire et individuelle. M\u00eame face \u00e0 la modernit\u00e9, les pratiques ancestrales restent un pilier identitaire, un moyen de comprendre la soci\u00e9t\u00e9 Ekang et son rapport \u00e0 l\u2019histoire, aux anc\u00eatres\u2026 et \u00e0 l\u2019humour, car apparemment, les morts aiment aussi un bon battement de tambour rythm\u00e9 avec finesse. L\u2019ouvrage de Fran\u00e7ois Bingono Bingono est donc \u00e0 la fois s\u00e9rieux et joyeux, un guide anthropologique qui prouve qu\u2019\u00e9couter les anc\u00eatres peut aussi \u00eatre\u2026 un vrai moment de plaisir et d\u2019\u00e9tonnement pour le lecteur curieux et attentif.<\/p>\n\n\n\n<p class=\"has-text-align-right\"><em>Ongoung Zong Bella<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans son dernier ouvrage, l\u2019ancien journaliste entra\u00eene le public dans un voyage fascinant et parfois dr\u00f4le au c\u0153ur des croyances des communaut\u00e9s de la for\u00eat. \u00ab\u202fNkul-Bewu, le tambour des morts\u202f\u00bb, un essai anthropologique qui explore l\u2019au-del\u00e0 tel qu\u2019il est per\u00e7u par cette communaut\u00e9 du sud du Cameroun. Plus qu\u2019un simple recueil de mythes ou de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":49494,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[35,38],"tags":[],"class_list":["post-49493","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panorama","category-portrait-decouverte"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00ab\u202fNkul-Bewu, le tambour des morts\u202f\u00bb : Quand les Ekang parlent\u2026 et que Fran\u00e7ois Bingono \u00e9coute - Int\u00e9gration<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/journalintegration.com\/index.php\/2026\/02\/06\/nkul-bewu-le-tambour-des-morts-quand-les-ekang-parlent-et-que-francois-bingono-ecoute\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00ab\u202fNkul-Bewu, le tambour des morts\u202f\u00bb : Quand les Ekang parlent\u2026 et que Fran\u00e7ois Bingono \u00e9coute - Int\u00e9gration\" \/>\n<meta property=\"og:description\" content=\"Dans son dernier ouvrage, l\u2019ancien journaliste entra\u00eene le public dans un voyage fascinant et parfois dr\u00f4le au c\u0153ur des croyances des communaut\u00e9s de la for\u00eat. \u00ab\u202fNkul-Bewu, le tambour des morts\u202f\u00bb, un essai anthropologique qui explore l\u2019au-del\u00e0 tel qu\u2019il est per\u00e7u par cette communaut\u00e9 du sud du Cameroun. 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