{"id":43322,"date":"2025-04-17T08:08:00","date_gmt":"2025-04-17T08:08:00","guid":{"rendered":"https:\/\/journalintegration.com\/?p=43322"},"modified":"2025-04-16T15:11:58","modified_gmt":"2025-04-16T15:11:58","slug":"el-hadji-malick-ndiaye-a-part-et-entier-pour-lhistoire-de-lart-negre","status":"publish","type":"post","link":"https:\/\/journalintegration.com\/index.php\/2025\/04\/17\/el-hadji-malick-ndiaye-a-part-et-entier-pour-lhistoire-de-lart-negre\/","title":{"rendered":"El Hadji Malick Ndiaye : A part\u2026 et entier pour l\u2019Histoire de l\u2019art n\u00e8gre"},"content":{"rendered":"\n

A Douala, le 9 avril 2025, le S\u00e9n\u00e9galais, chercheur \u00e0 l’Institut fondamental d’Afrique Noire (I FAN) Cheick Anta Diop a anim\u00e9 une conf\u00e9rence sur le th\u00e8me\u00a0: \u00ab\u00a0Festival des arts n\u00e8gres : la construction d’une conscience panafricaine\u00a0\u00bb.<\/em><\/p>\n\n\n

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El Hadji Malick Ndiaye, chercheur s\u00e9n\u00e9galais.<\/figcaption><\/figure>\n<\/div>\n\n\n

Au jeu des surnoms, El Hadji Malick Ndiaye gagnerait celui de \u00ab Mister Art africain \u00bb. A l’institut fran\u00e7ais du Cameroun (IFC), antenne de Douala, ce 9 avril 2025, le jeune S\u00e9n\u00e9galais r\u00e9ussi \u00e0 fl\u00e9chir \u00e0 sa guise le c\u0153ur des \u00e9coutants et provoquer en eux quelques bouleversements. C\u2019est que l\u2019expos\u00e9 El Hadji Malick Ndiaye tient \u00e0 la complexit\u00e9 de ses analyses\u00a0et \u00e0 son refus des simplifications faciles, des positions tranch\u00e9es. Li\u00e9e \u00e0 la fois \u00e0 l\u2019acuit\u00e9 de son regard et aux positions politiques nuanc\u00e9es et lucides qui en d\u00e9coulent, cette complexit\u00e9 permet tout de m\u00eame aux uns et aux autres de se faire une id\u00e9e du \u00ab Festival des arts n\u00e8gres : la construction d’une conscience panafricaine\u00bb.\u00a0<\/p>\n\n\n\n


Ce jour, le conf\u00e9rencier s\u00e9n\u00e9galais renseigne que le premier festival d\u00e9di\u00e9 au continent avait initialement \u00e9t\u00e9 programme en 1961, puis repouss\u00e9 et programm\u00e9 en 1965. Et s’est finalement tenu \u00e0 Dakar du 1er au 24 avril 1966. L\u2019Alg\u00e9rie va porter le flambeau du festival panafricain du 21 juillet au 1er ao\u00fbt 1969, plus connu sous le nom de festival panafricain d’Alger. \u00ab Il est important de rappeler l’histoire pour plusieurs raisons. L’histoire nous permet de savoir ce qui a exist\u00e9 avant nous et comment cela s’est d\u00e9roul\u00e9e. L’histoire nous permet de nous inspirer de ce qui s’est pass\u00e9 pour mieux appr\u00e9hender les m\u00e9canismes de comment notre monde fonctionne aujourd’hui. Mais l’histoire nous permet aussi de nous cultiver. D’avoir une culture g\u00e9n\u00e9rale vaste et de mieux avoir les arguments pour analyser et pour comprendre comment le futur sera structur\u00e9. L’histoire nous inspire de mani\u00e8re r\u00e9 globale \u00bb, souligne El Hadji Malick Ndiaye.\u00a0<\/p>\n\n\n\n


Dans ce discours comme dans d\u2019autres, l\u2019universitaire s\u00e9n\u00e9galais s\u2019impose \u00e0 la fois comme spectateur du th\u00e9\u00e2tre politique, mais \u00e9galement comme homme de conviction, porteur d\u2019une opinion. \u00ab Je ne pense pas qu’on puisse penser \u00e0 une identit\u00e9 africaine. Je pense m\u00eame que c’est dangereux de penser \u00e0 une identit\u00e9 africaine pour deux choses: la 1\u00e8re chose c’est qu’il ne peut pas y avoir une identit\u00e9 africaine, il y en a plusieurs. La 2\u00e8me chose c’est que l’identit\u00e9 n’est stagnante, c’est-\u00e0-dire qu’au jour le jour demain notre identit\u00e9 va changer. Notre identit\u00e9 \u00e9volue tout le temps. La mani\u00e8re dont on se comporte, dont on a une repr\u00e9sentation de nous-m\u00eames, de notre vie, de la relation qu’on a avec les autres, de la connexion qu’on avoir avec nos valeurs et traditions. Tout cela change. Donc, l’Afrique est multiple, vari\u00e9e, contradictoire, et c’est ce qui fait sa richesse \u00bb, d\u00e9clare El Hadji Malick Ndiaye.\u00a0<\/p>\n\n\n\n


Au sujet des objets d’art pill\u00e9s par les colons, le jeune historien s\u00e9n\u00e9galais passe par un jugement s\u00e9v\u00e8re et agac\u00e9. \u00ab Ces objets ont deux dimensions. Si on consid\u00e8re que ces objets on en a besoin parce qu’ils doivent \u00eatre fonctionnels en ce moment, nous rappeler la maternit\u00e9, la f\u00e9condit\u00e9, utilis\u00e9 dans des cultes, pas n\u00e9cessairement. Mais, ce n’est pas l\u00e0 la question. La question c’est que c’est un objet qui a \u00e9t\u00e9 construit par nos anc\u00eatres et qui montre notre histoire qui appartenait \u00e0 nos anc\u00eatres et fait notre fiert\u00e9. Qu’on leur range dans nos valises, qu’on le range dans nos anciennes cours, qu’on leur br\u00fble si on le veut, en tout cas, \u00e7a nous appartient parce que c’est que \u00e7a a \u00e9t\u00e9 cr\u00e9\u00e9e. Si \u00e7a montre un g\u00e9nie cr\u00e9ateur, si \u00e7a magnifie une puissance, une beaut\u00e9, \u00e7a revient \u00e0 nous. Si \u00e7a doit \u00eatre une plus-value pour l’\u00e9conomie dans nos mus\u00e9es, \u00e7a doit revenir \u00e0 nous. Un objet qui nous appartient n’est pas un objet n\u00e9cessairement qui va vous faire vivre toute de suite, que vous allez utiliser pour planter le manioc ou pour autre chose. On peut l’utiliser rien que pour le poss\u00e9der parce que \u00e7a fait partie des patrimoines de notre lign\u00e9e et de notre g\u00e9n\u00e9alogie. C’est \u00e7a aussi le sens de l’histoire et de la m\u00e9moire \u00bb, tranche-t-il<\/p>\n\n\n\n

<\/p>\n\n\n\n

Diane Kenfack<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

A Douala, le 9 avril 2025, le S\u00e9n\u00e9galais, chercheur \u00e0 l’Institut fondamental d’Afrique Noire (I FAN) Cheick Anta Diop a anim\u00e9 une conf\u00e9rence sur le th\u00e8me\u00a0: \u00ab\u00a0Festival des arts n\u00e8gres : la construction d’une conscience panafricaine\u00a0\u00bb. Au jeu des surnoms, El Hadji Malick Ndiaye gagnerait celui de \u00ab Mister Art africain \u00bb. A l’institut fran\u00e7ais […]<\/p>\n","protected":false},"author":1,"featured_media":43323,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-43322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nEl Hadji Malick Ndiaye : A part\u2026 et entier pour l\u2019Histoire de l\u2019art n\u00e8gre - Int\u00e9gration<\/title>\n<meta name=\"description\" content=\"El Hadji Malick Ndiaye A part\u2026 et entier pour l\u2019Histoire de l\u2019art n\u00e8gre\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/journalintegration.com\/index.php\/2025\/04\/17\/el-hadji-malick-ndiaye-a-part-et-entier-pour-lhistoire-de-lart-negre\/\" \/>\n<meta property=\"og:locale\" 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